“Meat, Dollar, Jacket” (2024) was born from the desire to experience the exhaustion of the image and the elements that compose it, whether it’s shapes or colors.
Already, through our photographic practice, we print our images to then scan them. A method, in our opinion, that conveys texture and materiality, which sometimes leads to the loss of certain details. Thus, by pushing this image process to the extreme, and with it our photographic aesthetic, we have endeavored to gradually make the photographed object disappear. It involves repeating the process until the last detail disappears. The sequence thus created deconstructs each stage of the subject’s erasure, enabling us to analyze its progress towards a form of abstraction. The details, gradually fading, give way to colors, then to shapes alone, and finally to emptiness. A return to the origin of all artistic work: a blank page.
MEAT, 2024, 83 IMAGES PIGMENT INKJET ON COPY LASER PAPER 200G, 21CM × 29.7CM.
DOLLAR, 2024,84 IMAGES PIGMENT INKJET ON COPY LASER PAPER 200G, 21CM × 29.7CM.
JACKET, 2024, 65 IMAGES PIGMENT INKJET ON COPY LASER PAPER 200G, 21CM × 29.7CM.